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Albert Collins

Albert Collins Poster 

I’ll never forget June 9, 1971. It was my eighteenth birthday and our high school graduation party. The entertainment was

none other than  Albert Collins - Texas blues guitar great. I was seated next to my

best pal – band mate, classmate and fellow guitarist, Robert Cray. We had lobbied hard to have Albert perform for us – and the work paid off.

We couldn’t wait! There was a delay and apparently they hadn’t arrived yet. I recall going outside for a smoke, and laughing to myself.

“What are they going to do, suspend me?” 

Soon a white van pulled up with a U-Haul attached. A coupla scary lookin’ guys (Whom I correctly ascertained to be musicians) burst out of the van laughing, then came Albert. You could tell he was the man. Within a few minutes, they were set up and ready to play.

The band fired up a tune and warmed up. I think it was Jimmy Smith’s “Chicken Shack”

Soon a band member sauntered up to the mike and said, “Ladies and gentlemen, it’s SHOWTIME!

Put your hands together for the one and only Albert Collins!”

And then a lean, dapper man with chiseled features and intense yet playful eyes, strapped on his telecaster, shrugged his shoulders a bit, (like a batter readying himself for a pitch) smiled and hit some notes on his guitar that I’m still trying to emulate.   And then he tore it up. Cray and I looked at each other in disbelief. 

What a sound! What phrasing, tone and technique. He was so powerful. Sure, I was familiar with the King’s – BB, Albert King and Freddie. And of course the bad ass rock guys like Beck, Clapton and Hendrix.

Yet Albert’s guitar was speaking to me in ways that turned my world upside down. (Some of you may remember Albert’s brief performance in “Adventures in Babysitting.” It was Albert who said no one leaves here without playing the blues or something to that effect.)

Anyway, it was a night that will always live with me.  I knew then and there that I wanted to be like him.

We eventually became close friends (Albert gave me my first road opportunity, I moved to CA to play with him.)  His beloved wife, Gwen wrote most of his songs that managed to capture Albert’s personality and his sense of humor. They really loved each other.

And he mentored me. He took me under his wing when I was in my twenties once he found out my father had recently passed. And he referred to me as his “baby.” You see, I was fortunate enough to have two “dads.”

He told a singer/friend of his that I worked with (Texas blues/soul man Frankie Lee, whom I played with for many years and we’re close) that he had better not hear of him mistreating me or “I’ll have to hurt you.” He wasn’t kidding.

I played with Albert on and off until he left us in 1993. We spent time in the US, Europe, South America and Japan. Often I would do double duty with Albert and Etta when we did shows together.  Like the late great Sam Cooke said, “That’s Heaven To Me.”

Musically he was a profound influence on me and of course many other big timers such as Jimi Hendrix , Jimmy Vaughan, Robert Cray, Johnny Winter and Stevie Ray Vaughan, to name a few. You see, Albert never met a stranger – even if he had just met someone, he made people feel as if they were most important person in the world to him. And guess what? They were. He always made time .

Albert told me it was important to get my own style (As opposed to emulating him and BB) and it was who you were off the stage that defined you.

BB King played tenderly at Albert’s hospital bedside in Vegas, when he left us all too soon in 1993, after succumbing to cancer.

He was so proud of me when I got the gig with Etta.

I recall a few years back when we were in London with Etta. We had word that Mick Jagger was coming to the show at the Towne & Country. After we had sound checked, a kid about fifteen told me he loved my playing and had been practicing my style. He asked if I could just hear him – we were busy and on our way back to hotel to get ready. The blond English kid implored me. He even had a little amp in a backpack. I told the guys to wait up a minute and they did. The kid had me down pat – even my mistakes. I invited the young man and his girlfriend (She witnessed the whole thing.) to the show that night, assuring management that I would make sure they wouldn’t drink. Mick and Jerry didn’t seem as important then.

So Albert, I hope I haven’t shamed you and I’m still trying to be a decent guy offstage – and to make time, like you did for me. 

  • http://noquarterusa.net/ SusanUnPC

    Taters, I just want to say that we’re so honored that you’ve agreed to write for our blog. You have so much to say about music, and the way you write makes it all so fascinating. Thank you.

    • Taters

      Susan,k
      Thank you! I’m the one that is honored – by being made welcome to participate here at NQ.

      • http://electuary.blogspot.com Jack (John) Howley

        I just happened across this blog. I too played with Albert as a sideman (rhythm guitar) when he was in Los Angeles. I can’t remember all the locations -Long Beach State College, Golden Bear in Huntington Beach and others. It must have been around 1971. He had a Drummer named Spider and Bass Player named John (I believe) and a horn section. He was one heck of a guit. player -full of energy. -very fond memories.

  • PrchrLady

    Taters… what a wonderful story… I listened to the clips, and Cray was so moving in Twenty… I really appreciate you sharing this with us here. I believe you are truly one of the Good Guys. Albert is proud of the person you have become. Sounds like he had a lot of wisdom, as well as talent. God Bless.

  • Taters

    PrchrLady,
    Thank you. That first clip is from Carnegie Hall, Albert really had the joint rockin’..
    I would be remiss if I didn’t mention the drummer, the late Soko Richardson – who was a dear pal. Prior to Albert, he was the drummer and driving force with the Ike & Tina Revue during their heyday. Like many great drummers, Soko was originally from Louisiana. Heck, Louisiana has more than its fair share of great musicians – in every genre of American music.

    • Centrocitta

      Must agree with you about Louisiana producing the best musicians in every genre, The Neville Brothers being a prime example.

      But the folks from Louisiana can dance too. My Italian-American uncle from the mid-Atlantic East Coast, was stationed in Baton Rouge during WWII. He was a great dancer himself and met a Cajun girl at a Canteen who could jitterbug just as well, although she asked him if he could “teach” her, LOL. They got married three weeks later and he took her back home. For 40 years after that, they entertained everyone with their dancing at all of our family weddings and other affairs.

  • Larry Johnson

    Thanks for a terrific piece. From the heart and with great expertise. You’re a class act.

    • Taters

      Thank you Larry for the kind words and for allowing me the opportunity here to share with your readers and my fellow posters.

      Once after a nightclub gig in in Tacoma, WA – back the seventies, I was walking Albert & Gwen (his wife)to their car when a group of drunken nasty, guys starting hurling racial insults to Albert. Stupidly, I responded and then it got worse. We were outnumbered and stood back to back – it was then I found out Albert was every bit a virtuoso with a tire iron as he was with his guitar. We (mostly he) held them off until an off duty cop saw what was happening and broke it up. Through the years, Albert would recount that incident to many of his future bandmembers – who would introduce themselves to me in awe and with no small degree of reverence, saying “Albert told me about you.” Except in his version, which is vastly different from mine had me as a combination of Bruce Lee and a ninja who managed to dispatch the lot of them. I think my version I closer to what actually happened.

  • Cee

    Taters!

    I had no idea!! I may have seen you playing with Collins in the mid 80′s! He tore the house down then too.
    Don’t make to blast Cold Snap up in heah at this hour of the night!

    • Taters

      Cee,
      Cold Snap one of my faves! ;)

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  • TBoy

    Those who like Albert Collins might want to become familiar with his uncle Gatemouth Brown. Check him out on YouTube.

    Here in Lafayette-Opelousas Louisiana area Gatemouth would tour frequently. Gatemouth was from the Vinton-Beaumont area (home area to gazillions of musicians – the Winter brothers, Janice Joplin, stc …). “Gate” lived in Slidell until Katrina destroyed his house. At the time of his death he was suffering from cancer but the storm finished him off.

    Both musicians were the real thing. Albert with his telecaster. Gatemouth on his Gibson and fiddle was one of the last who came from the Old School and could play most any style and multiple instruments.

    Gatemouth was a tall, lean black man who was a regular on the old TV series Hee-Haw, tearing it up with Roy Clark. He was a man who could play country music with Roy Clark and typically closed his live shows with a Count Basie tune.

    Gatemouth was one a sheriff in a rural New Mexico county. We miss him terribly.

    TBoy

    • Taters

      Hey Tboy,
      Thanks for your response. Well said. As you know-Gate was a big influence on Albert, I fondly remember the Hee Haw episode Gatemouth was on. That was some really cool stuff Roy Clark & Gate did. Hee Haw’s house band was amazing. Charlie McCoy was the musical director.
      If I recall – Gatemouth Brown was the first big secular star on Don Robey’s Duke/Peacock label before Bobby Bland, Big Mama Thornton, Johnny Ace or Jr Parker. I had the privilege to see Mr Brown many times – he was truly a phenomenal musician that could play anything and I really appreciate your post. There’s also some cool footage when Gatemouth was the bandleader for a local Dallas TV show that featured Freddie King and Etta James, among others. I love Louisiana and had the privilege of working with Irma Thomas and Johnny Adams. Leo Nocentelli is an old friend – we’ve done quite a few sessions and gigs – ace drummers Zig Modeliste and Herman Ernest are also old pals.
      Beautiful post, TBoy truly worthy of Gate.
      Yknow, Gatemouth smoked a pipe – it didn’t exactly smell like tobacco… ;)

      • TBoy

        Speaking of “The Pipe”. Once when Gate was playing in Albuquerque some thugs broke into his van and stole a bunch of equipment. When the local ABQ police came to fill out a report Gate was huffing and puffing on that pipe. ABQs finest are not now and were not then known as a gentle police force. They were not given to looking the other way. Especially late at night downtown. Gatemouth had such a regal, dignified presence that they left him alone. We were all amazed.

        BTW – most of my local Opelousas-Lafayette friends pronounce his name “Gate-mout” because the French language influence makes the TeeHaych sound difficult.

        Gate was a mean old man. My harp playing friend Smokin’Joe Mancuso was transporting him to a show in a Buffalo snow storm when Joe’s car caught on fire. There’s a ton more to the story – I’ll ask Joe to comment on it because I’ll screw it up. The story is so funny you are at risk of peeing your pants.

        Thank you so much for recognizing the meat and potatoes of US music. Albert Collins came from good stock.

        TBoy

  • Centrocitta

    Albert is good but Stevie Ray was THE BEST! Willie Nelson can also play some blues and improvise with the best of them. Enjoyed the Robert Cray video. Excellent. Thanks, Taters. I look forward to more of your contributions here.

    My father was a great jazz guitarist. He owned two Gibson L-5′s that were worth big bucks. I grew up listening to my Dad play and also to the sound of his idols, Les Paul, the Gypsy Janko Reinhart and of course the classical maestro, Segovia.

    • Taters

      Centrocitta,
      Nothin’ wrong with diggin’ SRV the way you do. That boy could play! And then some. Kinda partial myself. He was also a really nice guy and he left us too soon.
      Jimmy Vaughn is a friend. I remember doing a show in Memphis with Stevie. I was with Etta and we followed Johnny Winter and Stevie followed us.
      Did you spend much time at Antoine’s? I did my share of damage in Austin. I could use some barbeque from Rudy’s…

      Really cool about your dad, his music and the L5′s.
      Wow, Les Paul, Django and Andres Segovia – you can’t go wrong with those greats. I really love it all. My two favorite living classical guitarists are Julian Bream and John Williams – both disciples of Maestro Segovia.

  • Mr.Murder

    Live right down the road from Hwy 61,
    BB used to tour the bars and roadhouses for the chitlins circuit nearby.

    As for current music of the Blue genre,

    Fat Possum Records has some great blues going with its label. RL Burnside being perhaps the most notable since the passing of Junior Kimbrough.

    They’re traditional sounding Delta blues. Guitar and power vocals are their main mediums, to make the message. They yearn, extol,celebrate the human experience, transcend it by becoming enmeshed. It’s a baptism in blue waters, get in deep and emerge awakened, renewed.

    Mr.Collins exemplifies a city blues man in the link you provide. You had do something extra hot to stand out in front of horns sections and he knew how to get it done.

    Seeing him take the music out into the audience, that’s amazing as well. Says a lot about the approach to life he had. Many a fan of SRV sees where he got a lot of inspiration and technique from…

    Shaking a fan’s hand while he hammer-taps his song out, making the person a part of the song as he goes along, that’s what Blues do. They draw you into something and that allows you to be part of the experience to new, more broad expressions. Once you’re immersed within the blues you can lead others to that truth as Collins made it his calling.

    True Blues, the lines converge and merge. They have a sound that can cross boundaries and even styles.
    As others note through other artists, style can be acclimated within Blues expression.

    Country and Jazz can meet in the Blues scales.

    Many traditional country instruments got their start in African traditional music, which is what also birthed the blues forward. Their vocals unmistakably match in themes universal to life experience as do other traditional musics, country and bluegrass.

    As music’s evolution occurs it actually returns to blues roots for emphasis, in new forms, adhering to the beat that drives music.

    In perhaps its most refined form music shares blues’ spirit.

    Jazz has a penultimate quest to discover the Blue Note.

    Your sharing Albert’s friendship here was quite a birthday present, Taters. Thanks, it’s an honor to hear it, almost as much as it is for you to say all you have. That again deserves thanks, there’s always more to celebrate when I hear his music(yours too) now.

    • Taters

      Mr. Murder,
      I have never been disappointed by anything you’ve written and this is no exception. Excellent post and spot on, as usual. You are so right. Yes, Fat Possum has been doing some great stuff. I dig RL too. Good for you to mention Jr. RIP

      Yes, blues, country, gospel, jazz and rock and roll – they’re all family. Thanks.

    • Taters

      Happy Birthday Mr. M and many, many happy returns!
      I meant to say that earlier,I beg your pardon.

  • mudkitty

    Coolio Daddyo!

    • Taters

      Thanks mudkitty. ;)

  • snabby

    Man, this takes me back! I saw Albert for the first time probably in the late 70s — at the old Wax Museum in DC. What a great performance. I vividly remember him walking up the aisles, ending up playing for a few minutes outside on the sidewalk.

    You are so blessed to have been able to know him.

    • Taters

      snabby,
      He was amazing wasn’t he? Cool post.

  • camera guy

    Sadly, never got to hear Albert live. Fortunately, I grew up in Chicago, and did get to hear – and see – Willie Dixon, Muddy, Wolf, Buddy Guy, Son Seals, B.B and Albert King, and more.

    Unfortunately, I have missed a couple chances to catch Etta here and there. Closest I’ve come recently was her Austin City Limits show – a wonderful live set, but not nearly the same thing as being in the same room…

  • Taters

    Camera Guy,
    Cool post. Chicago is Blues HQ – as you well know. I had the good fortune of working with several artists from there including Carrie Bell, Matt Murphy, Luther Tucker, Buddy Guy & Jr Wells, Eddie Taylor, Otis Clay and Otis Rush. Two members of the original Paul Butterfield Band, Elvin Bishop and Mark Naftalin are old friends. I used to play with Messr. Naftalin. (Both O. Rush and O. Clay are also good friends) I did a recording with Otis Rush called “Tops” and had the pleasure of playing the Chicago Blues Fest a coupla times. Also played Buddy Guy’s Legends many times, with my own band and a former partner in crime, Frankie Lee.. One particular night there, after we had finished, I went to settle up the band’s bar tab, there were several two fisted drinkers in the band at the time so the bill was going to be steep. (Well over a hundred dollars) When I asked what the amount was to pay up, I was told Mr. Guy really enjoyed the show and paid our bar tab himself. I love Chicago!

    I’ve yet to see the Austin City Limits show w/Etta – I’ve been busy whenever its played. It sure was a lot of fun doing it. The late Gov. Ann Richards was in the audience that night.

    • camera guy

      Late in responding…

      Another reason to respect Albert Colllins (and Muddy, and you, for that matter…)

      I’m also a Tele kinda guy. Not in any of your leagues, of course, not remotely. Still, I’ve owned two SGs, one Guild Bluesbird (breaks my heart to have let that one go), one Guild X-50, and two Teles. Got one SG and one Tele now. Love the feel of it. Love the sound of it. My previous one – an old “Leo” Thinline, I hot-rodded to a scary degree. This one I’m leaving alone for the moment. Maybe I’ll find some project guitar over the winter, or something…

      Enough. Time to stop, before I start boring people.

  • Yogi-one

    Great thread and break up from the usual subject matter.

    Taters your music career sounds blessed. What are you doing now – any recent stuff up on the web for listening?

    When I read how you saw Albert Collins at ypur school party it reminded me of when I young guy working at a furniture company in North Carolina in the early 80s, our company party hired none other than Muddy Waters! He had Pine Top at that time.

    Me and my buddies at the furniture co had our little R&B band we were working with on eves and weekends, and so we were all very excited to have Muddy come! There were only about 200 total employees in the company, and that was about the size of the crowd at the party, which we held outdoors at a boy scout camp and set up the group under a shelter next to a little log cabin building which became the green room for the group.

    It changed my life. I remember seeing Pine Top break every rule I had ever learned about how to play the piano, but he sounded so awesome. And Muddy – and the whole band – beyond just being fantastic musicians, Muddy and the group were carrying a vibe – a tradition.
    I remember I wondered into their Green Room. A couple of people seemed to think I had no business in there – and they were right – but I just knew if I would ever get to speak to Muddy one-on-one, that was my only opportunity. Muddy completely understood how I felt, waved his guys off and received me with full graciousness. I’ll never forget how much love was emanating from him in that moment. That affected me as much as the music.

    He had taken the blues to a level beyond all the silly separations and little problems we all deal with everyday. I feel fortunate to have been able to experience that.

    Just wanted to share that with you all…

  • Taters

    Beautiful story, Yogi One. Muddy is one of my faves! I’m crazy about Pinetop Perkins.
    I’m still playing guitar with Etta James – going on twenty years now. I also do dates under my own name. And when I’m not on the road, I work for a private consumer protection agency. (non profit)

  • http://www.food4humanity.org hoosierhoops

    Taters: Awesome post
    Robert Cray is one of my fav’s.
    He was the first blues player i ever heard that broke out of that 1-4-5 and 12 bar blues mold.
    He really expanded peoples View of blues..

  • Smoky Joe

    After the fire in my car, “Gate” told me I should get it running right before I had it painted nice.
    He did not suffer fools lightly.
    After about 15 years and about a dozen shows he still never knew my name!
    He called me his Indian friend. I am about 1/4.
    Had many a long smoke wit the man, and he was “The Man”!
    On par on his best nights with Muddy,Jimi,Robert J., B.B.,Albert, Etc:.
    Eqipment missing that day was a Keyboard Road Case
    and it was not snowing although we were in Buffalo, NY. Just to keep things factual!
    Ask T-Boy about the day I was stage mgr. for Johnny Adams, Otis Rush, Anson Funderburg and Blind Sam Myers, Earl King was the man my band backed up that day, also there was Rockin Doopsie and the Zydeco Twisters, Mylo, and 7 local bands.
    TBoy was a stage hand that day
    Quite a show

  • PrchrLady

    what a great thread everyone… thanks for opening up- and reminding me of so many things that I had seemed to forget… a trip down memory lane… Thanks for the WONDERFUL stories of these men… I have also learned a LOT>>> would someone put together a playlist which has samples of some of each of these artists? I would like to watch and listen to more of the legends of our time. Thanks again, Taters. And great summation Mr. M….

  • Michel

    Who woulda thought?? A music column on No Quarter!!
    Great stuff!!
    Not only that, but Blues!!
    And personal insights about the Iceman!!!
    Great job, Taters, thanks!!! :-)

  • http://www.food4humanity.org HoosierHoops

    I nominate Taters to be the No Quarter music Correspondent.. Do I have a second?

  • Thinker

    Taters, I was expecting Iraq, Iran, President Bush, the Moonies to work their way into your humble piece, but then I realised this board needed a bit of celebration and you provided it.

    There are many fine names mentioned who have done a fine job making a whole lot of people happy with their fine talent.

    Thankyou for the restbite, Taters.

  • Taters

    Thinker, Smoky Joe, Michel, Hoosier Hoops and anybody I missed – thank you very much for your comments & responses.
    Please feel free to contact me at
    nagoyaDOTkidAThotmailDOTcom

    And again, Larry, Susan – thank you for giving me the opportunity to share. And Leslie, thanks for your help.

  • Michel

    Taters, how about another great Texas axeman, a buddy of Albert if I’m not mistaken: Johnny Copeland, the Texas Twister? You ever played with him?
    Also, did anybody ever hear one of Albert’s more “unusual” contribution: playing on a long cut on John Zorn’s album “Spillane” from the late 80s with Ronald Shannon Jackson on drums…??!
    Playing Zorn would indicate a great deal of ‘versatility’ on Albert’s part…!!!! But we knew that…. :-D :-D

  • Jimbo

    Great thread everyone. I used to see Robert Cray at the local bars in the Northwest back in the ’70′s. Back when he and Curtis Salgado inspired The Blues Brothers. Those were good days! This thread brings back a lot of great music memories.

  • http://badthingshappen.blogspot.com TC

    Wow, as if I need another reason to read NQ. Thanks Larry and thanks for peoples’ contributions. I’m a big SRV, Al Collins, hell, blues fan in general. Anyway, thanks again Larry and Taters.

  • Taters

    Michel – Johnny “Clyde” Copeland was a friend and yes, we worked together. I knew AC recorded w/ J Zorn. Haven’t heard it. AC also recorded with David Bowie too.

    Jimbo – Curtis is a good pal. I love that guy.

    TC – you’re welcome, friend. Larry has provided an oasis for many of us. He’s aces.

    All – I put my email addie up a couple posts back upstream. Please feel free to use it. That goes for you too, Camera Guy. ;)

    In the meantime, check out Larry’s powerful piece – “It Ain’t the Pentagon, It Is Congress”
    Happy Thanksgiving